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| ¶ðïøç ôçò åêèÝóåùò "Re-cast: Postmodern-Classical"
óôï áßèñéï ôïõ Oëõìðéáêïý Ðýñãïõ. |
KINHMATOÃPAÖOÓ
22 Öåâñïõáñßïõ 2002
Clearview Cinema, Manhattan NÝá Yüñêç
Ðñþôç åðßóçìç ðñïâïëÞ ôçò ôáéíßáò "Bõóóéíüêçðïò"
ôïõ ¶íôïí TóÝ÷ùö, óå óêçíïèåóßá ôïõ Mé÷Üëç KáêïãéÜííç
ìå ôïõò Charlotte Rampling êáé Alan Bates.
ÈÅÁÔÑO
25 Öåâñïõáñßïõ 2002
ÁíÜãíùóç ôïõ íÝïõ èåáôñéêïý Ýñãïõ
"The Women of Lockerbie" ôçò Deborah B. Brevoort
âñáâåõìÝíï ìå ôï áñãõñü ìåôÜëëéï ôïõ Äéåèíïýò Èåáôñéêïý Äéáãùíéóìïý
ÙíÜóç 2001
êáé ôï Âñáâåßï ÊÝíôñïõ ÊÝíåíôé 2001 áðü ôï Ôáìåßï ãéá ÍÝá ÁìåñéêáíéêÜ
ÈåáôñéêÜ ¸ñãá
ìå ôïõò: Ellen Parker, Stephen Lang, Pauline Flanagan,
Sandra Shipley, Eve Roberts, Lynn Cohen, Gerry Bamman
óêçíïèåóßá: Liz Diamond
ÅÊÈÅÓÇ
1-25 Ìáñôßïõ 2002
"Re-cast: Postmodern-Classical" óôï áßèñéï ôïõ Ïëõìðéáêïý
Ðýñãïõ
ðáñïõóßáóç Ýñãùí ôùí: Ron Baron, Muriel Castanis, Audrey Flack, Gabriel
Koren, Yayoi Kusama, Allan McCollum, Melissa McGill, Dennis Potami,
Judith Shea
 ÓÕÌÐOÓÉO
1 Ìáñôßïõ 2002
"A Postmodern Perspective on Classical Casts: Curators, Educators
and Artists"
(ïñãÜíùóç City College ôïõ City University of New York,
÷ïñçãßá ôïõ Èõãáôñéêïý Éäñýìáôïò ÙíÜóç ÍÝáò Õüñêçò óôï ðëáßóéï ôùí åêðáéäåõôéêþí
ðñïãñáììÜôùí ðïõ óõíäÝïíôáé ìå ôç ÓõëëïãÞ Åêìáãåßùí ôùí ÌáñìÜñùí ôïõ
Ðáñèåíþíá ôïõ CCNY)
ÖOÑOÓ ÔÉÌÇÓ ÓÔOÍ OÉÊOÕÌÅÍÉÊO ÐÁÔÑÉÁÑ×Ç ÂÁÑÈOËOÌÁÉO
ÖùôïãñáöéêÞ Ýêèåóç ôïõ ÍéêïëÜïõ Ìáããßíá
8-11 Ìáñôßïõ 2002
"Ï Ïéêïõìåíéêüò ÐáôñéÜñ÷çò Âáñèïëïìáßïò-ÄÝêá ×ñüíéá Äéáêïíåßáò
1991-2001"
(åðßóçìá åãêáßíéá ðáñïõóßá ôçò Áõôïý Áãéüôçôïò ôïõ Ïéêïõìåíéêïý ÐáôñéÜñ÷ç
Âáñèïëïìáßïõ)
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| Oé Þ÷ïé ôçò åëëçíéêÞò ðáñáäïóéáêÞò ìïõóéêÞò óõíüäåõóáí
ôç äéÜëåîç ôïõ êáè. ËÜìðñïõ ËéÜâá "Ç ìïõóéêÞ ôïõ Áéãáßïõ äéáìÝóïõ
ôùí áéþíùí". |
ÐÑOÂOËÇ, ÄÉÁËÅÎÅÉÓ & ÓÕÍÁÕËÉÁ
12 Ìáñôßïõ 2002
"Ç åëëçíüöùíç ðáñÜäïóç ôçò ÊÜôù Éôáëßáò. Grecia Salentina"
"Ïé ÃÝöõñåò ôïõ Éïíßïõ", íôïêéìáíôÝñ ôïõ ÄçìÞôñç Ìáõñßêéïõ
"Ç Ãëþóóá, ç Éóôïñßá êáé ï Ðïëéôéóìüò ôçò Grecia Salentina",
äéÜëåîç ôçò êáèçãÞôñéáò ôïõ Ðáíåðéóôçìßïõ ôïõ ËÝôóå Isabella Bernardini
óõíáõëßá ôïõ "Ghetonia Music Ensemble"
Ýêèåóç öùôïãñáößáò ôïõ Luigin Chiriatti
13 Ìáñôßïõ 2002
"Ç ÌïõóéêÞ ôïõ Áéãáßïõ äéáìÝóïõ ôùí áéþíùí",
äéÜëåîç ôïõ êáèçãçôÞ ËÜìðñïõ ËéÜâá
ìå ôç óõíïäåßá ôïõ Íßêïõ Ïéêïíïìßäç, âéïëß
êáé ôïõ Keros Music Ensemble
óå óõíåñãáóßá ìå ôï World Music Institute
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| Ôá óðÜíéá êõêëáäéêÜ åéäþëéá ìÜãåøáí ìÝóá áðü ôéò
ðñïèÞêåò ôïõò åðéóêÝðôåò ôçò Ýêèåóçò "Óéùðçëïß ÌÜñôõñåò". |
ÌOÕÓÉÊÇ
21 Ìáñôßïõ 2002
ÅëÝíç ÌïõæÜëá, ðéÜíï
¸ñãá Ìüôóáñô, ÓïðÝí êáé Êáëïìïßñç
ÍÝíá ÂåíåôóÜíïõ, ôñáãïýäé
Ôñáãïýäéá ×áôæéäÜêé êáé ÈåïäùñÜêç
ÅÊÈÅÓÇ
9 Áðñéëßïõ-30 Éïõíßïõ 2002
"Óéùðçëïß ÌÜñôõñåò"
Ï Ðñùôïêõêëáäéêüò Ðïëéôéóìüò ôçò Ôñßôçò ×éëéåôßáò ð.×.
óå óõíåñãáóßá ìå ôï åëëçíéêü õðïõñãåßï Ðïëéôéóìïý
öïñåßò óõììåôï÷Þò:
Ìïõóåßï Æáí Ðïë Ãêåôß
Ìïõóåßï ÊõêëáäéêÞò ÔÝ÷íçò - ºäñõìá Í.Ð.ÃïõëáíäñÞ
Ìïõóåßï Êáëþí Ôå÷íþí ôçò Âéñôæßíéá - Áñ÷áéïëïãéêü Ìïõóåßï ÍÜîïõ -
Áñ÷áéïëïãéêü Ìïõóåßï ÐÜñïõ
ÌOÕÓÉÊÇ
3 Ïêôùâñßïõ 2002
Êõðñéáíüò ÊáôóáñÞò, ðéÜíï
ÄÉÁËÅÎÇ
7 Ïêôùâñßïõ 2002
êáè. Peter Mackridge
êáèçãçôÞò ÍÝùí Åëëçíéêþí, ÊïëëÝãéï St. Cross, Ïîöüñäç
ÄÉÅÈÍÅÓ ÓÕÌÐOÓÉO
12 Ïêôùâñßïõ 2002
"Ïé ¸ëëçíåò ðÝñáí ôïõ Áéãáßïõ. Áðü ôç Ìáóóáëßá ùò ôçí ¶ðù ÁíáôïëÞ"
óõíôïíéóôÞò: êáèçãçôÞò ÂÜóïò Êáñáãåþñãçò
ðñïóêåêëçìÝíïé ïìéëçôÝò:
êáè. Ð. ÁèáíáóéÜäç, ÐáíåðéóôÞìéï Áèçíþí, EëëÜäá
êáè. Sir J. Boardman, Ìïõóåßï Ashmolean, Ïîöüñäç, M. Bñåôáíßá
êáè. L. Bonfante, New York University, H.Ð.A.
êáè. J.-Y. Empereur, Åèíéêü ÊÝíôñï ÅðéóôçìïíéêÞò ¸ñåõíáò, ÁëåîÜíäñåéá,
Aßãõðôïò
êáè. Á. Hermary, ÐáíåðéóôÞìéï ôçò Provence, Ãáëëßá
êáè. Í. Óôáìðïëßäçò, Ìïõóåßï ÊõêëáäéêÞò ÔÝ÷íçò, EëëÜäá
êáè. G.R. Tsetskhlade, ÐáíåðéóôÞìéï ôïõ Ëïíäßíïõ, M. Bñåôáíßá
ÌOÕÓÉÊÇ
23 Ïêôùâñßïõ 2002
Jiri Barta, ôóÝëï - Peter Clemente, âéïëß - ÔæÝíéá
ÌáíïõóÜêç, ðéÜíï
ÁöéÝñùìá óôïí Ìáíþëç Êáëïìïßñç
ÅÊÈÅÓÇ
ÍïÝìâñéïò 2002-ÖåâñïõÜñéïò 2003
"Ìåôá-ÂõæÜíôéï. Ç ÌåãáëïðñÝðåéá ôçò ÂõæáíôéíÞò ÔÝ÷íçò ìåôÜ ôçí
Ðôþóç ôçò Êùíóôáíôéíïõðüëåùò"
Èçóáõñïß áðü ôï Ìïõóåßï ÂõæáíôéíÞò êáé ×ñéóôéáíéêÞò ÔÝ÷íçò Áèçíþí
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